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Klub Jerry Goldsmith [ŽP: 8 týdnů] (kategorie Hudba) moderují VelociraptorX, Lokutus, Tender.
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e_wan E-Wan - Soundtracky na prodej (update 20.2.24) 28.3.2016 18:19 - Odhlášení (20:13) 2439
Tak všechny Goldsmithovy soundtracky jsou konečně prodané! :)
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 2.3.2016 20:54 - Klub Marco Beltrami (20:03) 2438
http://filmsonwax.co.uk/the-blue-max/
e_wan E-Wan - Soundtracky na prodej (update 20.2.24) 24.2.2016 18:57 - Odhlášení (20:13) 2437
Zbývající Goldsmithové na prodej:

Jerry Goldsmith - The Blue Max (2CD set, OOP, zabalené!) - La-La Land - 300 Kč
Jerry Goldsmith - Total Recall: The Deluxe Edition (OOP) - Varése - 250 Kč
Jerry Goldsmith - Warning Shot (limited, OOP) - La-La Land - 150 Kč
e_wan E-Wan - Soundtracky na prodej (update 20.2.24) 11.2.2016 00:08 - Odhlášení (20:13) 2436
BTW dnes by měl málokterý skladatel odvahu (a hlavně svolení režiséra) složit něco takového jako Goldsmith napsal pro The Mephisto Waltz nebo Planet of the Apes.
e_wan E-Wan - Soundtracky na prodej (update 20.2.24) 11.2.2016 00:04 - Odhlášení (20:13) 2435
Zajímavý dokument z nahrávání hudby k filmu The Mephisto Waltz
e_wan E-Wan - Soundtracky na prodej (update 20.2.24) 10.2.2016 23:58 - Odhlášení (20:13) 2434
Docela by mě zajímalo, co přesně znamená "A hybrid recording that seamlessly mixes "live" instrumental performances with VST instruments".
e_wan E-Wan - Soundtracky na prodej (update 20.2.24) 9.2.2016 09:52 - Odhlášení (20:13) 2433
Pithikos Entertainment, to je co za vydavatelství? Slyším o nich poprvé!
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 9.2.2016 09:23 - Klub Marco Beltrami (20:03) 2432
To honor the 48th anniversary of the release of Arthur P. Jacobs production of Franklin J. Schaffner's film PLANET OF THE APES, Pithikos Entertainment is proud to announce the release of a New Digital Recording of Jerry Goldsmith's landmark score!



This project, more than two years in the making, is a logical extension of the work author, musician and recording engineer John O'Callaghan did for the acclaimed book Simians & Serialism. While in no way a substitute for the original recording conducted by Jerry Goldsmith and performed by Hollywood's finest musicians, this new Digital Recording makes this legendary score come alive again. It demonstrates for the listener that Goldsmith's serial compositions are more than mere "movie music" and deserve a place among the defining works of twentieth century orchestral repertoire.

A 24-bit / 88.2kHz Full Digital Recording
Meticulous reconstruction of the Orchestrations written by Jerry Goldsmith, Arthur Morton and Herbert W. Spencer done by John O'Callaghan
Features Percussion Instruments from the Emil Richards Collection at L.A. Percussion Rentals—the same, unique instruments used in the original recording sessions
All music cues performed to the same tempo as the original performance
3 Bonus Tracks—including the famously deleted piccolo part in the “Main Title” that director Franklin J. Schaffner asked Goldsmith to change
A hybrid recording that seamlessly mixes "live" instrumental performances with VST instruments
12-page, full color booklet with an essay on the album's production, photos of Emil Richards' unique percussion instruments in action and more!

CD Track Listing:
Planet of the Apes (Main Title) 2.19
Crash Landing 6.53
The Searchers 2.32
The Search Continues 4.59
The Clothes Snatchers 3.13
The Hunt 5.14
A New Mate 1.13
The Revelation 3.23
No Escape 5.42
The Trial 1.47
New Identity 2.29
A Bid For Freedom 2.39
The Forbidden Zone 3.27
The Intruders 1.11
The Cave 1.25
The Revelation Part 2 3.26

Bonus Tracks:
Planet of the Apes (Main Title) 2.19
The Searchers 2.32
The Revelation 3.23

Total CD Duration: 60:14

Price: $19.95 plus Shipping/Processing/Applicable Taxes

http://www.pithikosentertainment.com/products.html

An exciting CD for any fan of Jerry Goldsmith, Planet of the Apes or twentieth century serialism, be sure to purchase your copy today while supplies last!
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 24.1.2016 10:41 - Klub Marco Beltrami (20:03) 2431
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 5.1.2016 09:20 - Klub Marco Beltrami (20:03) 2430
škoda, že nikdo neměl zájem...

https://www.youtube.com/watch?v=vwmYTXHLYso
e_wan E-Wan - Soundtracky na prodej (update 20.2.24) 10.12.2015 21:14 - Odhlášení (20:13) 2429
NP: In Harm's Way (expanded Intrada) - tak tenhle upgrade se skutečně vyplatil! Kvalita zvuku na nové edici od Intrady je oproti té předchozí verzi úplné nebe a dudy. Dokonce mám pocit, že se mi díky podstatně lepšímu a čistšímu zvuku ten soundtrack jako takový líbí víc :)
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 10.12.2015 20:43 - Klub Marco Beltrami (20:03) 2428
takže nikdo nechce? OK
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 6.12.2015 14:09 - Klub Marco Beltrami (20:03) 2427
e_wan E-Wan - Soundtracky na prodej (update 20.2.24) 17.11.2015 00:30 - Odhlášení (20:13) 2426
Zajímavá reakce Intrady v diskuzi k In Harm´s Way:

Andy wrote:
...And WOW to the sound, i wonder why (to my ears) some 50 year old recordings sounds better than new ones. So much depth and detail!
This thing sounds incredible. !!!...


One big reason is so many engineers now master music literally for the iPod/mp3/download world rather than anything remotely 'hi-fi'. They 'normalize' (brickwall) the sound into distortion territory in order to get everything as loud as possible, no matter what the realistic levels between the tracks should be. Often the results no longer even sound like real orchestras. And still another reason is that many engineers today insist on squelching every bit of hiss - and commensurately the important overtones and nuances - inherent in older recordings in their misguided attempts to render them as quiet as modern digital recordings, which sadly just renders them inferior to the older ones.

With In Harm's Way we had the wonderful luxury of locating the original unmixed session masters for all of the tracks Goldsmith selected to consider on his album back in 1965. That allowed us to bring out the best in the recordings and avoid the issues as described above. These recordings certainly needed no added reverb or noise reduction whatsoever. They were then and remain today stunning examples of just how good those MGM scoring stage sessions could actually sound.
--Doug



Proto tolik moderních soundtracků z posledních let zní tak strašně! :(
e_wan E-Wan - Soundtracky na prodej (update 20.2.24) 12.11.2015 01:14 - Odhlášení (20:13) 2425
+ ještě Warning Shot (La-La Land)

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