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Klub Marco Beltrami [ŽP: 8 týdnů] (kategorie Hudba) moderuje Lokutus.
Archiv
Oficiální stránky

fanouškovské stránky I
fanouškovské stránky II
Soundtracknet interview 8/9/1998
Interview - Holywood Reporter 20/4/2004
Interview - Scoring with genre films pt. 1
Interview - Scoring with genre films pt. 2
Interview - Scorelogue - Dracula 2000
An evening with Marco Beltrami on the phone
Interview - ScoreTrack.net
OSTweb: tabulka Marca Beltramiho


Vybrané releasy:

Online:
- Love and Monsters, Michael Matthews, USA 16. října 2020, trailer

Následující projekty:
- A Quiet Place: Part II, John Krasinski, USA 17. září 2021, trailer
- Chaos Walking, Doug Liman, USA 22. ledna 2021, trailer
- Fear Street, Leigh Janiak, USA 2021, trailer, oficiální stránky
- Fear Street 2, Leigh Janiak, USA 2021, trailer, oficiální stránky
- Fear Street 3, Leigh Janiak, USA 2021, trailer, oficiální stránky
- The Cowboys, Tommy Lee Jones, USA TBA, trailer, oficiální stránky

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[ 1389 ] <Novější  <<<Nejnovější  Nejstarší>>>  Starší>  
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HMMA interview 2018https://www.youtube.com/watch?v=RFnc2Ax-vEk
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před pár hodinama









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a je doma!!!
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a aby toho nebylo málo... Nový projekt

:-)
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John Krasinski and Marco Beltrami attend a special screening of ?A Quiet Place? at The Hearth and Hound on November 27, 2018 in Los Angeles, California.
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 2.1.2019 18:36  1806
screening of "Free Solo" hosted by Tim McGraw at SilverScreen Theater at the Pacific Design Center on November 11, 2018 in West Hollywood, California.













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no proto! :) teda ne, že by to někoho zajímalo :P

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FREE SOLO Q&A with Elizabeth Chai Vasarhelyi, Jimmy Chi, Alex Honnold, Marco Beltrami & Tim McGraw.https://www.youtube.com/watch?v=6XIuHb0eAxI
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 20.12.2018 23:20  1801
Working with Marco and Marcus has been a very emotional experience. I think this was the first time I have realized it was possible to direct composers exactly like directing actors. I would talk about the scene, the motivation and the emotion of the character justas I would do with an actor.

I remember an anecdote, we were at Marco's studio, listening to the various music proposals for "The Letter of Roxane" sequence. I was rejecting everything, and Marcus asked me to be more specific about the meaning of the scene.

Marco was on my right, sitting on a chair with his eyes closed. I finished my explanations.

Marco got up to the piano.

Marcus played images from the film as Marco improvised a melody.

From the first notes, I knew it was the emotion I wanted. I watched the scene on the monitor, it was perfect and the music fitted exactly with my images.

I watched Marco, his eyes were closed. He was feeling the scene, its meaning, its timing, without looking at the screen.

After MESRINE, THE EMPEROR OF PARIS is my second collaboration with them and I would be honored to have others like this, many others.




- Jean-Francois Richet

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