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Klub Soundtracks [ŽP: 8 týdnů] (kategorie Hudba) moderují Lokutus, Anthony, Fighter.
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Domovská stránka aktualizována 16.2.2021 18:42

Nová adresa OSTwebu
http://ost.imaxmusic.net

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Koncerty filmové hudby 2024:
24.1.2024 - Game of Thrones & the best epic film music
3.-6.2.2024 - FANTASY MOVIES Symphony Music Experience
10.2.2024 - Harry Potter a Kámen mudrců in Concert
16.2.2024 - Hudba ze slavných filmů
18.2.2024 - Koncert filmové hudby Symfonického orchestru Masarykovy univerzity
5.3.2024 - Hollywood in Prague: Noc filmových melodií
22.-23.3.2024 - Pán prstenů: Dvě věže (in concert)
30.3.2024 - Epic film music of Star Wars Symphonic Tribute v Praze
6.4.2024 - The Official Concert Celebration: Ennio Morricone
18.4.2024 - SPECTACULAR MUSIC OF HOLLYWOOD (v rámci Composer Summit 2024)
2.5.2024 - Česká filmová hudba v Obecním domě
8.6.2024 - The World of Hans Zimmer – A New Dimension
24.6.2024 - Hollywood Night v Obecním domě (Prague Proms)
31.8.2024 - Jurský park in concert (v rámci Soundtrack Poděbrady)
31.8.2024 - Karel Svoboda: Filmová hudba (v rámci Soundtrack Poděbrady)
17.9.2024 - Filmové melodie v Jeruzalémské synagoze
17.9.2024 - Reviens Bébel! (v rámci Prague Proms)
24.10.2024 - Jazz ve filmu
8.-9.11.2024 - Pán prstenů: Návrat krále (in concert)

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Orchestry pořádající koncerty filmové hudby v průběhu celého roku (různá místa):

PFO
FILMharomie
Symfonický orchestr Dalibora Havlíčka

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Kluby na Lopuchu:
Marco Beltrami, ebay, Georges Delerue, Jerry Goldsmith, James Horner, James Newton Howard, Soundtrackové nákupy, John Williams, Hans Zimmer

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Další mini-sraz:
15.2. 2024 17:00 (Van's Pho, Slezská 879/31)

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e_wan E-Wan - Soundtracky na prodej (update 20.2.24) 9.2.2018 13:32  35016
IFMCA Award Nominations 2017
SCORE OF THE YEAR
◾PHANTOM THREAD, music by Jonny Greenwood
◾THE POST, music by John Williams
◾THE SHAPE OF WATER, music by Alexandre Desplat
◾STAR WARS: THE LAST JEDI, music by John Williams
◾WAR FOR THE PLANET OF THE APES, music by Michael Giacchino

COMPOSER OF THE YEAR
◾ALEXANDRE DESPLAT
◾MICHAEL GIACCHINO
◾DANIEL PEMBERTON
◾BENJAMIN WALLFISCH
◾JOHN WILLIAMS

BREAKTHROUGH COMPOSER OF THE YEAR
◾MICHAEL ABELS
◾ANNE-KATHRIN DERN
◾GEORGE KALLIS
◾ALEJANDRO VIVAS
◾CHRISTOPHER WILLIS

BEST ORIGINAL SCORE FOR A DRAMA FILM
◾ALL THE MONEY IN THE WORLD, music by Daniel Pemberton
◾DARKEST HOUR, music by Dario Marianelli
◾MURDER ON THE ORIENT EXPRESS, music by Patrick Doyle
◾PHANTOM THREAD, music by Jonny Greenwood
◾THE POST, music by John Williams

BEST ORIGINAL SCORE FOR A COMEDY FILM
◾THE DEATH OF STALIN, music by Christopher Willis
◾DOWNSIZING, music by Rolfe Kent
◾KNOCK, music by Cyrille Aufort
◾PADDINGTON 2, music by Dario Marianelli
◾THEIR FINEST, music by Rachel Portman

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
◾A CURE FOR WELLNESS, music by Benjamin Wallfisch
◾JUMANJI: WELCOME TO THE JUNGLE, music by Henry Jackman
◾KING ARTHUR: LEGEND OF THE SWORD, music by Daniel Pemberton
◾PLAN DE FUGA, music by Pascal Gaigne
◾THE RENDEZVOUS, music by Austin Wintory

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
◾GET OUT, music by Michael Abels
◾THE SHAPE OF WATER, music by Alexandre Desplat
◾STAR WARS: THE LAST JEDI, music by John Williams
◾VALERIAN AND THE CITY OF A THOUSAND PLANETS, music by Alexandre Desplat
◾WAR FOR THE PLANET OF THE APES, music by Michael Giacchino

BEST ORIGINAL SCORE FOR AN ANIMATED FILM
◾CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE, music by Theodore Shapiro
◾COCO, music by Michael Giacchino
◾THE EMOJI MOVIE, music by Patrick Doyle
◾FERDINAND, music by John Powell
◾LOVING VINCENT, music by Clint Mansell

BEST ORIGINAL SCORE FOR A DOCUMENTARY
◾BLUE PLANET II, music by Hans Zimmer, Jacob Shea, and David Fleming
◾BOSTON, music by Jeff Beal
◾EARTH: ONE AMAZING DAY, music by Alex Heffes
◾JANE, music by Philip Glass
◾MULLY, music by Benjamin Wallfisch

BEST ORIGINAL SCORE FOR TELEVISION
◾ALIAS GRACE, music by Jeff Danna and Mychael Danna
◾GAME OF THRONES, music by Ramin Djawadi
◾ONNA JÔSHU NAOTORA, music by Yôko Kanno
◾THE ORVILLE, music by Bruce Broughton, John Debney, Joel McNeely, and Andrew Cottee
◾TIEMPOS DE GUERRA, music by Federico Jusid

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
◾DEFORMERS, music by Austin Wintory
◾DIVIDE, music by Chris Tilton
◾GET EVEN, music by Olivier Deriviére
◾RIME, music by David García Díaz
◾VALKYRIA: AZURE REVOLUTION, music by Yasunori Mitsuda

BEST NEW RELEASE, RE-RELEASE OR RE-RECORDING OF AN EXISTING SCORE
◾BEN-HUR, music by Miklós Rózsa; The City of Prague Philharmonic Orchestra & Chorus conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by James Fitzpatrick, Gareth Bevan, and Nic Finch (Tadlow)
◾CLOSE ENCOUNTERS OF THE THIRD KIND, music by John Williams; album produced by Mike Matessino; liner notes by Mike Matessino; album art direction by Jim Titus (La-La Land)
◾DAMNATION ALLEY, music by Jerry Goldsmith; album produced by Nick Redman and Mike Matessino; liner notes by Julie Kirgo; album art direction by Kay Marshall (Intrada)
◾DUEL IN THE SUN, music by Dimitri Tiomkin; The City of Prague Philharmonic Orchestra & Chorus conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Jim Titus (Tadlow/Prometheus)
◾E.T. THE EXTRA-TERRESTRIAL, music by John Williams; album produced by Mike Matessino and Bruce Botnick; liner notes by Mike Matessino; album art direction by Jim Titus (La-La Land)

BEST FILM MUSIC COMPILATION ALBUM
◾CAPTAINS COURAGEOUS: THE FRANZ WAXMAN COLLECTION, music by Franz Waxman; album produced by Douglass Fake; liner notes by Frank K. De Wald; album art direction by Kay Marshall and Joe Sikoryak (Intrada)
◾DEBBIE WISEMAN: LIVE AT THE BARBICAN, music by Debbie Wiseman; The Orchestra of the Guildhall School conducted by Debbie Wiseman; album produced by Debbie Wiseman, Reynold Da Silva, David Stoner, and Pete Compton; liner notes by Debbie Wiseman; album art direction by Stuart Ford (Silva Screen)
◾JOHN WILLIAMS AND STEVEN SPIELBERG: THE ULTIMATE COLLECTION, music by John Williams; album produced by Laura Zsaka and Jamie Richardson; liner notes by Jon Burlingame; album art direction by Amelia Tubb (Sony Classical)
◾THRILLER, music by Jerry Goldsmith; The City of Prague Philharmonic Orchestra conducted by Nic Raine; album produced by James Fitzpatrick and Leigh Phillips; liner notes by Jon Burlingame; album art direction by Matthew Wright and Nic Finch (Tadlow)
◾THE WILD WILD WEST, music by Various Composers; album produced by Jon Burlingame; liner notes by Jon Burlingame; album art direction by Jim Titus (La-La Land)

FILM MUSIC RECORD LABEL OF THE YEAR
◾CALDERA RECORDS, Stephan Eicke
◾INTRADA RECORDS, Douglass Fake and Roger Feigelson
◾LA-LA LAND RECORDS, MV Gerhard and Matt Verboys
◾QUARTET RECORDS, José M. Benitez
◾TADLOW MUSIC, James Fitzpatrick

FILM MUSIC COMPOSITION OF THE YEAR
◾“End Credits” from WAR FOR THE PLANET OF THE APES, music by Michael Giacchino
◾“Finale” from STAR WARS: THE LAST JEDI, music by John Williams
◾“Growing Up in Londinium” from KING ARTHUR: LEGEND OF THE SWORD, music by Daniel Pemberton
◾“Justice” from MURDER ON THE ORIENT EXPRESS, music by Patrick Doyle
◾“Love” from THE BOSS BABY, music by Hans Zimmer, Steve Mazzaro, and Conrad Pope

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The International Film Music Critics Association (IFMCA) is an association of online, print and radio journalists who specialize in writing and broadcasting about original film, television and game music.

Since its inception the IFMCA has grown to comprise over 65 members from countries such as Australia, Belgium, Canada, China, Denmark, France, Germany, Greece, Ireland, Italy, the Netherlands, Norway, Poland, Romania, Spain, Sweden, Switzerland, the United Kingdom, and the United States of America.

Previous IFMCA Score of the Year Awards have been awarded to Jóhann Jóhannsson’s “Arrival” in 2016, John Williams’s “Star Wars: The Force Awakens” in 2015, Hans Zimmer’s “Interstellar” in 2014, Abel Korzeniowski’s “Romeo & Juliet” in 2013, Mychael Danna’s “Life of Pi” in 2012, John Williams’s “War Horse” in 2011, John Powell’s “How to Train Your Dragon” in 2010, Michael Giacchino’s “Up” in 2009, Alexandre Desplat’s “The Curious Case of Benjamin Button” in 2008, Dario Marianelli’s “Atonement” in 2007, James Newton Howard’s “Lady in the Water” in 2006, John Williams’s “Memoirs of a Geisha” in 2005, and Michael Giacchino’s “The Incredibles” in 2004.

For more information about the International Film Music Critics Association go to www.filmmusiccritics.org, visit our Facebook page, follow us on Twitter @ifmca, or contact us at press@filmmusiccritics.org.
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 8.2.2018 17:24 - Oblíbené kluby (16:45) 35014
Za týden vietkong.
e_wan E-Wan - Soundtracky na prodej (update 20.2.24) 8.2.2018 16:57  35013
Menší update seznamu CD a DVD na prodej
e_wan E-Wan - Soundtracky na prodej (update 20.2.24) 8.2.2018 00:15  35012
http://deadline.com/2018/02/concord-music-acquires-film-soundtrack-score-varese-sarabande-1202280825/

https://www.musicbusinessworldwide.com/concord-music-buys-movie-music-label-varese-sarabande/
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 7.2.2018 19:56 - Oblíbené kluby (16:45) 35011
Roy Budd Phantom Premiere mini-dochttps://www.youtube.com/watch?v=GbYBe-Jt2YM
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 7.2.2018 19:40 - Oblíbené kluby (16:45) 35010
https://reelmusic.wordpress.com/2018/02/06/2017-reel-music-awards-the-winners/



OVERALL SCORE OF THE YEAR 2017

KING ARTHUR: LEGEND OF THE SWORD (Daniel Pemberton)
The Death of Stalin (Christopher Willis)
The Great Wall (Ramin Djawadi)
The Star (John Paesano)
Valerian and the City of a Thousand Planets (Alexandre Desplat)

Daniel Pemberton teaming up with director Guy Ritchie seems to be a very fruitful partnership. On the back of Pemberton taking the 2015 Reel Music Award for his score to Ritchie’s The Man From U.N.C.L.E., the composer has again topped the category of overall score of the year with his brilliant score for the director’s take on the King Arthur story, King Arthur: Legend of the Sword. From when I first heard the score, the whole sound that Pemberton and his team have come up with is something that I haven’t really come across before in my years of listening to film music. That quality is becoming increasingly difficult both in terms of just how much great and varied music there is out there, but also it seems harder for composers to experiment, to come up with something fresh rather than sticking to the tried and tested (what studio execs may call the ‘safe’ option?). As well as the expected quality to the music itself – and the emotions generated therein – each cue is a fascinating ‘how did he do that?’ exercise that makes the score more rewarding with every listen. There’s track after track of excellent compositions which means that, even running to almost 90 minutes for the digital release, the score doesn’t outstay its welcome. King Arthur is the most enjoyable score I have heard from Pemberton and, for me, is an obvious choice as score of 2017. There’s a short ‘making of…’ video on YouTube that gives a little insight into how the score came about.
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 4.2.2018 20:04 - Oblíbené kluby (16:45) 35009
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 1.2.2018 14:24 - Oblíbené kluby (16:45) 35008
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 1.2.2018 14:23 - Oblíbené kluby (16:45) 35007
!!https://www.facebook.com/cliff.eidelman/videos/1736759503013856/
e_wan E-Wan - Soundtracky na prodej (update 20.2.24) 31.1.2018 17:40  35006
Tak bohužel je to potvrzené, hudbu k The Monkey King 3 nedělal Christopher Young :(

http://filmmusicreporter.com/2018/01/30/the-monkey-king-3-to-feature-original-music-by-yu-kobayashi/
rocketeer Rocketeer Music makes me happy 31.1.2018 13:34  35005
darkarid: on to už na podzim avizoval p.Hasenohrl, že spolupráce funguje a pojede dál, v rámci několika věcí se tak vrátí, včetně nahrávání...
steve Steve Coups Pour Coups - Velky vyprodej SOUNDTRACKu! 31.1.2018 12:36  35004
darkarid: To uz je takovy nekolikalety folklor jak koncert vyprodat.
darkarid darkarid 31.1.2018 10:43  35003
Tak to vypadá, že Morriconeho loňský koncert Úplně poslední show s podtitulem Sbohem, Praho nebude tak úplně úplně poslední :D
pepak pepak - Pepak.net 31.1.2018 07:11  35002
Kruci, a já zrovna nemám u sebe heslo na přihlášení do Ticketpro!
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 30.1.2018 20:54 - Oblíbené kluby (16:45) 35001
kdyby koncertů někdo neměl na jaře dost :)

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