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Klub Marco Beltrami [ŽP: 8 týdnů] (kategorie Hudba) moderuje Lokutus.
Archiv
Oficiální stránky

fanouškovské stránky I
fanouškovské stránky II
Soundtracknet interview 8/9/1998
Interview - Holywood Reporter 20/4/2004
Interview - Scoring with genre films pt. 1
Interview - Scoring with genre films pt. 2
Interview - Scorelogue - Dracula 2000
An evening with Marco Beltrami on the phone
Interview - ScoreTrack.net
OSTweb: tabulka Marca Beltramiho


Vybrané releasy:

Online:
- Love and Monsters, Michael Matthews, USA 16. října 2020, trailer

Následující projekty:
- A Quiet Place: Part II, John Krasinski, USA 17. září 2021, trailer
- Chaos Walking, Doug Liman, USA 22. ledna 2021, trailer
- Fear Street, Leigh Janiak, USA 2021, trailer, oficiální stránky
- Fear Street 2, Leigh Janiak, USA 2021, trailer, oficiální stránky
- Fear Street 3, Leigh Janiak, USA 2021, trailer, oficiální stránky
- The Cowboys, Tommy Lee Jones, USA TBA, trailer, oficiální stránky

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[ 1384 ] <Novější  <<<Nejnovější  Nejstarší>>>  Starší>  
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 17.5.2018 09:43 - Oblíbené kluby (22:34) 1750
Marco Beltrami on Scoring "A Quiet Place"https://www.youtube.com/watch?v=6aQbmTud5BU
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 30.4.2018 23:42 - Oblíbené kluby (22:34) 1749
"The next thing is a movie for Fox called Underwater, which is a scary movie. Returning to my roots here, I guess. It’s a really interesting project in many ways. It has a young director [William Eubank] and he’s an interesting guy. He takes electronic music classes himself, so he knows a little bit about it and is really into utilizing some of the stuff in the score. I think it’s going to be really fun working with him. We’re just starting on it. I’m doing it as a co-score with someone that I work with, Brandon Roberts, so we’re just starting to put some ideas together. We had some sessions with some singers, creating these sharper tones. I think it’s going to be cool."
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 24.4.2018 16:54 - Oblíbené kluby (22:34) 1748
NP:
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:))
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lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 16.4.2018 21:12 - Oblíbené kluby (22:34) 1745
https://jonman492000.wordpress.com/2018/04/16/a-quiet-place/
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 16.4.2018 18:04 - Oblíbené kluby (22:34) 1744
Hellboy - Original Motion Picture Soundtrack [LP][Red] by Marco Beltrami https://www.amazon.com/dp/B07C53MX16/
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 13.4.2018 16:08 - Oblíbené kluby (22:34) 1743



Limited Collector’s Edition of 500 units.
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https://www.hollywoodreporter.com/heat-vision/a-quiet-place-composer-couldnt-afford-orchestra-score-1101906
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 10.4.2018 16:20 - Oblíbené kluby (22:34) 1741
MATHILDE/Marco Beltrami/Moviescore Media – digital(CD forthcoming from Quartet)
Marco Beltrami has composed a sophisticated and admirable score for this lavish historical Russian costumed drama film, performed by the world-class musicians of the Mariinsky Opera, conducted by the world-renowned Valery Gergiev. The film tells the story of the supposed romantic relationship between the heir to the Russian throne, Nicholas Romanov, and the ballerina of the Imperial Theater, Matilda Kshesinskaya. "I was immediately drawn to the story, the costumes, the sets… it was simply a gorgeous looking movie" said Beltrami about the film. With a brevity of themes, the composer enriches both the historical environment and the romantic drama between the protagonists, emphasizing their forbidden affair while providing some interesting thematic elements for other characters and a variety of action music that comes their way during the story (the tracks “Twilight of the Empire” with its urgent violin bowing, the introduction to the main theme in “Mathilde and the Balloon Ride,” the frantic panic of “Bear Fight” with its yowling brasses, the dark and mystical vision of “Fishel's Holograph,” as well as “Dance Fight,” “Dress Reversal,” “Dream Kiss,” and the post-End Title “Mathilde’s Theme” reprise are particularly provocative and effusive favorites. It’s a thoroughly excellent score; an attractive, passionate, and thought-provoking, richly woven soundscape. MSM released the soundtrack digitally on March 16, 2018, with Quartet Records issuing a physical CD release in the near future. For more details, see MovieScore Media
Watch MSM’s soundtrack trailer: https://youtu.be/fC8iVpBAgkQ
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 9.4.2018 10:34 - Oblíbené kluby (22:34) 1740
I thought the movie was excellent and very original.

Beltrami's music really scared me in Joy Ride. He delivers a lot of scary music in The Quiet Place, and I felt the score was very effective. He also has some touching lyrical music for the family.

I doubt I would listen to this score as a stand-alone, but I thought Beltrami delivered a perfect score for this movie.

I will elaborate, but I don’t want to provide any spoilers. First of all I found this movie to be a survivalist story with a different twist. It isn’t about 10 American soldier surrounded by hundreds of Nazis, nor about a family in witness protection surrounded by the Mafia. It isn’t about a plane crash with two survivors trying to survive bears, snow, cold etc. The real enemy in this movie is SOUND, which I found unique. The script plays with interesting ideas about sound. How do you play a board game like Monopoly without sound? How can one possibly keep a new born from crying? I think John Krasinski provided rather unique details about how people can prepare to exist in silence.

Krasinski and Emily Blunt are excellent actors in this movie, especially Blunt. I also felt that the children did a fine job. I cared about this family.

Krasinski directed a tightly-knit movie without padding. There were a few places that tugged at my heartstrings, but I won’t describe those places because of spoilers.

I have found that most “Horror” movies are now really gore fests, which doesn’t scare me. This isn’t a gory movie; however, it did in places truly scare me or make me jump. Also, scary movies often have a frightening scene followed by a restful period and then another scary scene. In the last hour, this movie was relentless in its action. No rest for me and no time to get bored.

From the trailers, I thought I could predict everything, but the movie provided some interesting surprises.

Sound editing was very strong, and I thought the score matched the visuals. I did see one or two flaws in the narrative which I can’t mention, and some people won’t like the ending, but it worked for me. As I said, I see this as a survivalist movie that was certainly different from our current ubiquitous Marvel and Star Wars films. Guess I needed a change.

There is a very good novel call Bird Box by Josh Malermann that also deals with some of these ideas (not sound), and it is being made into a movie starring Sandra Bullock. Might be interesting to compare that movie to this one.

This is just my opinion.
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 6.4.2018 21:03 - Oblíbené kluby (22:34) 1739
http://scoringsessions.com/2018/04/06/marco-beltrami-scores-a-quiet-place/
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 4.4.2018 23:21 - Oblíbené kluby (22:34) 1738
http://www.filmmusicmag.com/?p=18645
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A Quiet Place"For a movie with such sparse dialogue, “A Quiet Place” often gives way to annoying bursts of shrieking strings to jolt its audience, as if they can’t be trusted to find the disquieting mood sufficiently freaky. (It’s almost like producer Michael Bay kept turning up the volume, before Krasinski could bat his hand away). Thankfully, Marco Beltrami’s score largely sticks to a low rumble that hovers on the same wavelength as the characters’ unease. While their relationships are crudely drawn, they retain an elevated quality within the movie’s unique narrative framework."

http://www.indiewire.com/2018/03/a-quiet-place-review-john-krasinski-emily-blunt-1201937885/


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"Unfortunately, A Quiet Place is not without flaws, as Krasinski relies too heavily on jump scares and Marco Beltrami’s score to create horror instead of letting the story and the creatures speak for themselves. This film feels like a Cormac McCarthy movie, while also looking like the best Spielberg/George A. Romero mix you can imagine."

https://www.flickeringmyth.com/2018/03/sxsw-review-quiet-place-2018/

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